{"id":250,"date":"2020-04-30T12:18:43","date_gmt":"2020-04-30T09:18:43","guid":{"rendered":"https:\/?p=250"},"modified":"2025-03-22T19:52:37","modified_gmt":"2025-03-22T16:52:37","slug":"alti-koseli-yildiz-motifinin-tarihi","status":"publish","type":"post","link":"https:\/\/leyhatlari.com\/index.php\/ley-hatlarinin-geometrisi\/alti-koseli-yildiz-motifinin-tarihi\/","title":{"rendered":"ALTI K\u00d6\u015eEL\u0130 YILDIZ MOT\u0130F\u0130N\u0130N TAR\u0130H\u0130"},"content":{"rendered":"

\u00a0<\/strong>Tarihte alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z fig\u00fcr\u00fcn\u00fcn ilk olarak kimler taraf\u0131ndan kullan\u0131ld\u0131\u011f\u0131 bilinmemekteyse de bu fig\u00fcr\u00fcn Bronz \u00c7a\u011f\u0131’na dayanan bir ge\u00e7mi\u015fi oldu\u011funa ili\u015fkin g\u00f6r\u00fc\u015fler vard\u0131r. O d\u00f6nemde bu \u015feklin \u00f6rneklerine M\u0131s\u0131r’da, Kuzey Amerika\u2019da ve Hindistan’da rastlan\u0131lm\u0131\u015ft\u0131r. Ayr\u0131ca baz\u0131 ara\u015ft\u0131rmac\u0131lar bu sembol\u00fcn ilk \u00f6rneklerini Ta\u015f Devri’ne dek uzat\u0131p, \u0130skandinavya’da da kullan\u0131ld\u0131\u011f\u0131n\u0131 s\u00f6ylemektedirler.[1]<\/a><\/span><\/p>\n

\u0130slamiyet \u00f6ncesinde T\u00fcrklerin olu\u015fturdu\u011fu Oniki Hayvanl\u0131 T\u00fcrk Takvimi’nde de alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z motifi, bur\u00e7 simgesi olarak g\u00f6sterilmi\u015ftir.<\/span><\/p>\n

\u00d6n T\u00fcrk boylar\u0131n\u0131n ta\u015f yaz\u0131lar\u0131nda Tamga (harf) olarak da kullan\u0131lan sembol i\u00e7 i\u00e7e ge\u00e7mi\u015f iki \u00fc\u00e7genden olu\u015fmaktad\u0131r. \u0130dil-Ural b\u00f6lgesinde ve Kumanlarda da g\u00f6r\u00fclen bu sembol\u00fcn \u00d6n-T\u00fcrk\u00e7edeki ad\u0131 “U\u00e7u-Eki” olup \u201cG\u00f6k \u0130kilisi\u201d anlam\u0131na gelmektedir; sembol\u00fcn M.\u00d6. 3000 y\u0131llar\u0131nda Mezopotamya ve M\u0131s\u0131r\u2019a yay\u0131ld\u0131\u011f\u0131 san\u0131lmaktad\u0131r.[2]<\/a><\/span><\/p>\n

\u00d6n-T\u00fcrk tarihinde alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z \u015fekli \u00c7olpan y\u0131ld\u0131z\u0131 da denilen Temur Kaz\u0131k’\u0131 simgelemektedir. \u00c7olpan Y\u0131ld\u0131z\u0131 t\u00fcm T\u00fcrk boylar\u0131na g\u00f6re ilah\u00ee bir l\u00fctuf ve ilah\u00ee yol g\u00f6sterici olarak kabul edilmi\u015f ve k\u0131rm\u0131z\u0131 renkli sabit y\u0131ld\u0131z anlam\u0131na gelen \u201cTemur Kaz\u0131k\u201d ad\u0131 verilmi\u015ftir.<\/span><\/p>\n

Mo\u011fol mitolojisinde gezegenlerin hareketlerini ve birbirileriyle etkile\u015fimlerini y\u00f6neten tanr\u0131n\u0131n ad\u0131 \u00c7olpan\u2019d\u0131r.<\/span><\/p>\n

Bunun d\u0131\u015f\u0131nda alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z Alpler’de kaya resimleri olarak g\u00f6r\u00fclen; b\u00fcy\u00fc ile ilgili yazmalarda bir g\u00fc\u00e7 simgesi olarak beliren bir sembold\u00fcr. Daha sonraki d\u00f6nemlerde baz\u0131 k\u00fclt\u00fcrlerde ad\u0131 ge\u00e7en y\u0131ld\u0131z sembol\u00fcn\u00fcn Yukar\u0131 Mezopotamya ve Britanya’n\u0131n baz\u0131 b\u00f6lgelerinde Demir \u00c7a\u011f\u0131’na\u00a0 ait\u00a0 \u00f6rnekleri\u00a0 de\u00a0 bulunmu\u015ftur. Ayr\u0131ca Hindistan\u2019da Elephanta Ma\u011faras\u0131’nda ve Afrika’da Barbaria Duvarlar\u0131’na kadar uzak yerlerde dahi bu y\u0131ld\u0131z\u0131n izleri g\u00f6r\u00fclmektedir.<\/span><\/p>\n

Bu i\u00e7 i\u00e7e ge\u00e7mi\u015f ters ve d\u00fcz iki e\u015fkenar \u00fc\u00e7gen \u015fekli belki de insan\u0131n varolu\u015f s\u00fcrecinin ba\u015flang\u0131c\u0131ndan beri ya da en az\u0131ndan ilk \u015fehirle\u015fme ve medenile\u015fme hareketinin ba\u015flad\u0131\u011f\u0131 \u201c\u00c7atalh\u00f6y\u00fck\u201d’ten beri pek \u00e7ok yerde g\u00f6r\u00fcl\u00fcr ve sembol olarak temelde \u201cerke\u011fi\u201d ve \u201ckad\u0131n\u0131\u201d temsil ettikleri genel kabul g\u00f6r\u00fcr. Ancak daha sonralar\u0131 farkl\u0131 din ve k\u00fclt\u00fcrlerde \u00e7ok farkl\u0131 anlamlar y\u00fcklenmi\u015ftir.<\/span><\/p>\n

Ba\u015fka bir g\u00f6r\u00fc\u015fe g\u00f6re ise; Anadolu\u2019nun Eski \u00c7a\u011f\u00a0 d\u00fcnyas\u0131nda\u00a0 y\u0131ld\u0131z\u0131n\u00a0 Tanr\u0131larla\u00a0 ili\u015fkisi\u00a0 s\u00f6z konusudur.\u00a0 “Buna\u00a0 g\u00f6re \u00e7ocukluktan \u00e7\u0131kan erke\u011fin yarat\u0131mdaki rol\u00fcn\u00fcn ke\u015ffedilmesi sonucu \u00f6zellikle bebek Dionysos fig\u00fcr\u00fc ile bu y\u0131ld\u0131z ili\u015fkilendirilmi\u015ftir. Bu nedenle M.\u00d6 900’lerde Anadolu’nun \u00f6nce bat\u0131s\u0131nda daha sonra do\u011fusunda bu y\u0131ld\u0131z Dionist-Zionist bir y\u0131ld\u0131z \u015feklinde alg\u0131lanmaya ba\u015flanm\u0131\u015ft\u0131r.<\/span><\/p>\n

Alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z motifinin\u00a0 Roma’da\u00a0 kullan\u0131l\u0131\u015f\u0131n\u0131n\u00a0 \u00f6rnekleri\u00a0 L\u00fcbnan\u2019daki Baalbek Bakkhus\u00a0 Mabedi\u2019nde\u00a0 ve Fransa\u2019daki Tauroentum antik kentinin yer d\u00f6\u015femelerinde g\u00f6r\u00fclmektedir.\"\"<\/span><\/p>\n

Hint k\u00fclt\u00fcr\u00fcnde \u201cYantra\u201d ad\u0131 verilen alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z, yarat\u0131c\u0131 Vi\u015fnu \u00fc\u00e7geni ile y\u0131k\u0131c\u0131 \u015eiva \u00fc\u00e7geninin birli\u011fini ifade eder ba\u015fka bir deyi\u015fle Kutsal Evlili\u011fi simgelemektedir. B\u00f6ylece madd\u00ee d\u00fcnyan\u0131n yarad\u0131l\u0131\u015f\u0131na ve y\u0131k\u0131l\u0131\u015f\u0131na g\u00f6ndermede bulunur. Hint k\u00fclt\u00fcr\u00fcnde belirgin bir \u00f6nem ta\u015f\u0131yan bu y\u0131ld\u0131za Hint mabetlerinde, mezarl\u0131klar\u0131nda ve hatta Hint gemilerinin sancaklar\u0131nda rastlamak m\u00fcmk\u00fcnd\u00fcr.<\/span><\/p>\n

Hint k\u00fclt\u00fcr\u00fcnde Yantra’ya benzeyen bir di\u011fer alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z \u015fekli ise “Mandala” olarak isimlendirilmektedir. Bir merkez \u00e7evresinde d\u00fczenlenmi\u015f simgesel bir g\u00f6r\u00fcnt\u00fc olan Mandala; hem bir evren simgesi, hem insan ruhunun bir tasviri, hem de derin d\u00fc\u015f\u00fcncenin kutbu olan ve merkezde yer alan Tanr\u0131\u2019n\u0131n mucizevi bir bi\u00e7imde g\u00f6r\u00fcn\u00fcr hale gelmesidir. Bu s\u00f6zc\u00fck Hindu ve Budist ayinlerinde mistik bir atmosfer olu\u015fturmak i\u00e7in telaffuz edilen ve en h\u0131zl\u0131 yay\u0131lan sembollerden biri olmu\u015ftur.<\/span><\/p>\n

Hint k\u00fclt\u00fcr\u00fcndeki inan\u0131\u015fa g\u00f6re insan bedeninin \u201c\u00e7akra\u201d ad\u0131 verilen yedi biyo-enerji noktas\u0131 vard\u0131r.\u00a0 Her \u00e7akra de\u011fi\u015fik renk ve simgelerle g\u00f6sterilir. Bu \u00e7akralar\u0131n en \u00f6nemlisi; merkez \u00e7akra olan kalp \u00e7akras\u0131d\u0131r ve ye\u015fil renkle g\u00f6sterilen alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z simgesine sahiptir. (\u015eekil 34)<\/span><\/p>\n

\u00c7in ok\u00fclt kitaplar\u0131ndan “Yi-King” tamamen alt\u0131 k\u00f6\u015feli y\u0131ld\u0131zlar \u00fczerine kuruludur. Yi-King \u015fekilleri \u201cDe\u011fi\u015fimler” kitab\u0131 ad\u0131 alt\u0131nda toplanm\u0131\u015ft\u0131r. Hexagram ad\u0131 verilen ve her biri alt\u0131 \u00e7izgiden olu\u015fan \u015fekiller, evrensel d\u00fczeni veya Taoyu temsil eder. Ayr\u0131ca \u00c7in’de bunlar Yin (di\u015fil prensip) ve Yang (eril prensip) olarak g\u00f6r\u00fclm\u00fc\u015flerdir ki b\u00f6ylece yerle g\u00f6\u011f\u00fcn evlili\u011fi temsil edilmektedir.<\/span><\/p>\n

Alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z, iki e\u015fkenar \u00fc\u00e7genden olu\u015ftu\u011funa g\u00f6re sembolizmas\u0131n\u0131 da yine \u201c\u00fc\u00e7lem\u201d olarak incelemek yerinde olur. Hemen hemen her millet ve k\u00fclt\u00fcrde \u00fc\u00e7 say\u0131s\u0131, kutsal, simgesel veya mistik anlamlar ta\u015f\u0131r. \u00dc\u00e7genin simgeledi\u011fi kavramlara \u00f6rnek olarak; anne-baba-\u00e7ocuk b\u00fct\u00fcnl\u00fc\u011f\u00fcnde aile, ge\u00e7mi\u015f-\u015fimdi-gelecek b\u00fct\u00fcnl\u00fc\u011f\u00fcnde zaman, toprak-hava-su b\u00fct\u00fcnl\u00fc\u011f\u00fcnde do\u011fa, kat\u0131-s\u0131v\u0131-gaz b\u00fct\u00fcnl\u00fc\u011f\u00fcnde madde ve proton-n\u00f6tron-elektron b\u00fct\u00fcnl\u00fc\u011f\u00fcnde atom \u00fc\u00e7lemeleri g\u00f6sterilebilir.<\/span><\/p>\n

\u00a0Alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z\u0131n i\u00e7erdi\u011fi d\u00f6rt temel elemandan tepe noktas\u0131 yukar\u0131da olan \u00fc\u00e7gen Ate\u015f’i, tepe noktas\u0131 a\u015fa\u011f\u0131da olan \u00fc\u00e7gen Su’yu, su \u00fc\u00e7genin taban kenar\u0131 ile kesi\u015fen ate\u015f \u00fc\u00e7geni Hava’y\u0131, ate\u015f \u00fc\u00e7geninin taban kenar\u0131 ile kesi\u015fen su \u00fc\u00e7geni ise Topra\u011f\u0131 g\u00f6stermektedir.<\/span><\/p>\n

T\u00fcm bunlar\u0131n bir alt\u0131gen i\u00e7inde birle\u015fmeleri ise evreni olu\u015fturan elemanlar\u0131n uyum ve beraberli\u011fini dile getirmektedir. \u00d6te yandan; her iki \u00fc\u00e7genin taban kenarlar\u0131n\u0131n u\u00e7lar\u0131na yerle\u015ftirilen ve maddenin d\u00f6rt \u00f6zelli\u011fini olu\u015fturan s\u0131cak-kuru, so\u011fuk-ya\u015f durumlar\u0131, D\u00fcnya\u2019y\u0131 olu\u015fturan ve say\u0131lar\u0131 yine d\u00f6rt olan hava, su, ate\u015f ve toprak elemanlar\u0131n\u0131n bulunduklar\u0131 yerlerle de uyum sa\u011flamaktad\u0131r. Simyac\u0131lara g\u00f6re k\u00fck\u00fcrt merkezi ate\u015ftir; her varl\u0131kta bulunur ve i\u00e7ten d\u0131\u015fa do\u011fru tesir ederek tekam\u00fcl\u00fc ve d\u00fc\u015f\u00fcnceyi sa\u011flar. T\u00fcm organizmalar\u0131n yap\u0131sal prensibidir. Ate\u015f \u00fc\u00e7geni yukar\u0131ya y\u00f6neliktir, \u00e7\u00fcnk\u00fc alev hep yukar\u0131 \u00e7\u0131kmak ister. Su \u00fc\u00e7geni ise, suyun d\u00f6k\u00fclmek istedi\u011fi y\u00f6ne bakar ve ate\u015fi keserek onu s\u00f6nd\u00fcr\u00fcr. Ate\u015f s\u0131cakla kuru, su ya\u015fla so\u011fuk, toprak so\u011fukla kuru, hava ise ya\u015fla s\u0131cak aras\u0131ndad\u0131r. Sonu\u00e7ta bu bile\u015fimlerin; de\u011fi\u015fmedeki kar\u015f\u0131tl\u0131klar\u0131n, z\u0131tl\u0131klar\u0131n, kozmik birli\u011fin ve onun ak\u0131l almaz ve karmakar\u0131\u015f\u0131k ifadesinin bir sentezi oldu\u011fu kabul edilmektedir.<\/span><\/p>\n


\n\"\"\u00c7e\u015fitli yorumsal a\u00e7\u0131klamalara yol a\u00e7an, bu d\u00fczendeki fakt\u00f6rlerin se\u00e7iminde maddi plandan manevi plana ge\u00e7i\u015f oldu\u011fu kadar, erillik ve di\u015fillik prensiplerinin bir kayna\u015fmas\u0131 ve tam olmayandan tam ve m\u00fckemmel olana do\u011fru s\u00fcr\u00fcp giden bir geli\u015fmenin rol oynad\u0131\u011f\u0131 san\u0131lmaktad\u0131r.<\/span><\/span><\/p>\n

Antik M\u0131s\u0131r ve Yunan bilgi ve k\u00fclt\u00fcrlerinin etkile\u015fimiyle olu\u015fan Hermetik gelene\u011fe g\u00f6re alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z Makrokozmosun veya Evrenin sembol\u00fcd\u00fcr. Ay bir gezegen kabul edilip, Ven\u00fcs, J\u00fcpiter, Saturn, Mars, Merk\u00fcr alt\u0131 kolun her birine yerle\u015ftirilmekte, ortada ise G\u00fcne\u015f yer almaktad\u0131r. Ayr\u0131ca alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z Hermetik gelene\u011fe g\u00f6re yedi temel metali (metallerin t\u00fcm\u00fcn\u00fc) ve g\u00f6\u011f\u00fcn t\u00fcm\u00fcn\u00fc \u00f6zetleyen yedi gezegeni i\u00e7inde toplar; her gezegen bir elemente kar\u015f\u0131l\u0131k gelir.<\/span><\/p>\n

\u015e\u00f6yle ki: En \u00fcstte Ay – g\u00fcm\u00fc\u015f, altta Sat\u00fcrn – kur\u015fun; sa\u011f yukar\u0131da Ven\u00fcs – bak\u0131r, sa\u011f a\u015fa\u011f\u0131da Merk\u00fcr – civa, sol taraf\u0131n u\u00e7lar\u0131nda Mars – demir, Jupiter – kalay \u00e7iftleri ve y\u0131ld\u0131z\u0131n ortas\u0131nda da G\u00fcne\u015f-alt\u0131n yer al\u0131r; yani G\u00fcne\u015f alt\u0131nd\u0131r.<\/span><\/p>\n

Simyan\u0131n t\u00fcm d\u00fc\u015f\u00fcncesi ve i\u00e7i, \u00e7evrede bulunan kusurlu ve de\u011fersiz elementlerin, ortada bulunan ve alt\u0131nla G\u00fcne\u015f’in simgeledi\u011fi tek bir m\u00fckemmelli\u011fe d\u00f6n\u00fc\u015ft\u00fcr\u00fclmesinden ibarettir; bu ise alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z da ifadesini bulur.<\/span><\/p>\n

Bir g\u00f6r\u00fc\u015fe g\u00f6re o devirlerde alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z\u0131n sihirli bir g\u00fcce sahip oldu\u011funa inan\u0131l\u0131rd\u0131 ve y\u0131ld\u0131z, k\u00f6t\u00fc ruhlar\u0131 kovan ve insanlar\u0131 k\u00f6t\u00fcl\u00fcklerden koruyan bir t\u0131ls\u0131m olarak kullan\u0131l\u0131rd\u0131. M\u0131s\u0131rl\u0131lar’da y\u0131ld\u0131z\u0131n piramit \u015feklinde Firavunu, yani Tanr\u0131’y\u0131 temsil etti\u011fi, piramitteki \u00fc\u00e7genlerin merkezi noktalar\u0131nda Firavunlar\u0131n mezarlar\u0131n\u0131n bulundu\u011fu, piramitteki \u00fc\u00e7genlerin ise d\u00fcnyan\u0131n giri\u015f ve \u00e7\u0131k\u0131\u015f kap\u0131lar\u0131n\u0131 temsil etti\u011fi belirtilmektedir.<\/span><\/p>\n

Efsaneye g\u00f6re, B\u00fcy\u00fck \u0130skender’in askerleri, M\u0131s\u0131r Seferi s\u0131ras\u0131nda Gize’nin B\u00fcy\u00fck Piramidi’nin i\u00e7inde bu konuyla ilgili bir metin bulmu\u015flar. Tanr\u0131sal Hermes’in (Thot) mezar\u0131 da bu piramidin i\u00e7indeymi\u015f. Buna g\u00f6re Hermes bir elmas u\u00e7la, z\u00fcmr\u00fct bir levhan\u0131n \u00fczerine bir metin kaz\u0131m\u0131\u015f. Z\u00fcmr\u00fct Tablet’in ilk c\u00fcmlesi \u015f\u00f6yledir:<\/span><\/p>\n

\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u201cYalan s\u00f6ylemeden, \u00e7ok do\u011fru ve ger\u00e7ektir ki: Yukar\u0131da olan a\u015fa\u011f\u0131da olanla, a\u015fa\u011f\u0131da olan da yukar\u0131da olanla ayn\u0131d\u0131r.\u201d<\/em> <\/span><\/p>\n<\/blockquote>\n

Hermes Trismegistos’un yaz\u0131t\u0131n\u0131n anlam\u0131, her insan b\u00fcy\u00fck alemi and\u0131ran k\u00fc\u00e7\u00fck alemdir ve her insan\u0131n ya\u015fam\u0131nda kendisine \u00e7izece\u011fi yol da kendisine \u00f6zeldir. Bu ifadenin sembol\u00fc de bir ucu a\u015fa\u011f\u0131 ve bir ucu yukar\u0131 bakarak kesi\u015fen iki e\u015fkenar \u00fc\u00e7gendir, bu da alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z\u0131n tarifidir. Trismegistos, \u201c\u00fc\u00e7 kere b\u00fcy\u00fck\u201d veya \u201c\u00fc\u00e7 kere g\u00fc\u00e7l\u00fc\u201d anlam\u0131na gelir. \u201cAlemin \u00fc\u00e7 k\u0131sm\u0131\u201d, \u201cevrenin \u00fc\u00e7 b\u00fcy\u00fck b\u00f6l\u00fcm\u00fcne\u201d yani manevi, psi\u015fik ve cismani sahalara (bunlar\u0131n sembolleri g\u00f6k, hava ve toprakt\u0131r) denk gelmektedir.<\/span><\/p>\n

Yahudilikte Alt\u0131 K\u00f6\u015feli Y\u0131ld\u0131z<\/strong><\/span><\/p>\n

M\u0131s\u0131r k\u00f6kenli bir toplum olan Yahudilerin yaz\u0131l\u0131 kaynaklar\u0131nda Magen David ad\u0131yla anlat\u0131lan alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z \u015fekli, as\u0131rlar boyu Yahudilere; daha parlak bir gelecek vaadini simgelemi\u015f ve David\u2019in Krall\u0131\u011f\u0131\u2019na kadar uzanan umut ve inan\u00e7 dolu bir tarihin simgesi olmu\u015ftur.<\/span><\/p>\n

Kitab-\u0131 Mukaddes\u2019in II. kitab\u0131 olan \u00c7\u0131k\u0131\u015f Kitab\u0131\u2019nda anlat\u0131ld\u0131\u011f\u0131na g\u00f6re; \u0130srailo\u011fullar\u0131\u2019n\u0131n (\u0130bran\u00eeler) M\u0131s\u0131r\u2019dan \u00e7\u0131k\u0131p Tanr\u0131\u2019n\u0131n kendilerine vaad etti\u011fi topraklar olan Kenaan topraklar\u0131na (bug\u00fcnk\u00fc Filistin topraklar\u0131) ula\u015fmalar\u0131 k\u0131rk y\u0131ll\u0131k bir s\u00fcreci kapsar. \u0130srailo\u011fullar\u0131 (\u0130bran\u00eeler) bu yolculu\u011fu Tanr\u0131\u2019dan ald\u0131klar\u0131 ilahi emirler do\u011frultusunda konar-g\u00f6\u00e7er olarak yaparlar. Filistin topraklar\u0131 Tevrat\u2019ta kaydedildi\u011fine g\u00f6re Hz. \u0130brahim ve z\u00fcrriyetine Tanr\u0131 taraf\u0131ndan vaad edilmi\u015f bir toprakt\u0131r. \u0130srailo\u011fullar\u0131 da (\u0130bran\u00eeler) Hz. \u0130brahim\u2019in torunlar\u0131 oldu\u011fu iddias\u0131ndan hareketle Filistin\u2019e gitmekteydiler. \u0130srailo\u011fullar\u0131 (\u0130bran\u00eeler) bu yolculu\u011fa on iki boy halinde \u00e7\u0131karlar. \u0130srailo\u011fullar\u0131\u2019n\u0131n (\u0130bran\u00eeler) her bir boyun g\u00fcvenli\u011fini sa\u011flamak amac\u0131yla konup g\u00f6\u00e7meleri s\u0131ras\u0131nda ald\u0131klar\u0131 askeri bir duru\u015f \u015fekli vard\u0131r. Bu \u015fekil alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z \u015feklinde olup eli silah tutan erkekler alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z\u0131 olu\u015fturan \u00e7izgileri takip etmi\u015f, kad\u0131nlar ve \u00e7ocuklar ise iki e\u015fkenar \u00fc\u00e7genin ke\u015fismesi sonucu meydana gelen alt\u0131gen alan\u0131n i\u00e7inde yolculuklar\u0131n\u0131 s\u00fcrd\u00fcrm\u00fc\u015flerdir. Di\u011fer bir anlat\u0131ya g\u00f6re ise \u0130srailo\u011fullar\u0131n\u0131n (\u0130bran\u00eeler) \u00e7\u00f6lde konaklad\u0131klar\u0131 s\u00fcre\u00e7 i\u00e7erisinde konaklama krokisi olarak alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z formu esas al\u0131nm\u0131\u015f, kad\u0131nlar ve \u00e7ocuklar alt\u0131gen alan\u0131n i\u00e7inde erkekler ise alt\u0131gen alan\u0131n d\u0131\u015f\u0131nda konaklam\u0131\u015flard\u0131r.<\/span><\/p>\n

Baz\u0131 Yahudi d\u00fc\u015f\u00fcn\u00fcrler birtak\u0131m verilerden hareketle bunun b\u00f6yle oldu\u011funu iddia etmektedirler, ya da bir hipotez olarak \u00f6ne s\u00fcrmektedirler. Bu varsay\u0131mlar ise Yahudiler taraf\u0131ndan makbul kar\u015f\u0131lanmaktad\u0131r; bu sembol\u00fcn bir di\u011fer ad\u0131 da \u201c\u00c7haddai\u201d\u2019dir. \u00c7haddai \u0130bran\u00eece de iki temel anlama gelmektedir. Birinci anlam\u0131; kad\u0131n g\u00f6\u011fs\u00fc, anne\u00a0 memesi, hayat kayna\u011f\u0131, kuvvet kayna\u011f\u0131d\u0131r. \u0130kinci anlam\u0131 ise; her \u015feye g\u00fcc\u00fc yeten Kadir-i Mutlak Tanr\u0131\u2019d\u0131r; ve bu anlam Yahudiler taraf\u0131ndan daha makbul kar\u015f\u0131lanmaktad\u0131r. Yahudiler Magen David\u2019in i\u00e7ine \u00c7haddai yerle\u015ftirerek Ona bir kutsiyet atfetmi\u015f olurlar. Yahudi mistisizmi olan Kabala\u2019ya g\u00f6re en m\u00fckemmel, en yetkin geometrik \u015fekil e\u015fkenar \u00fc\u00e7gendir; \u00e7\u00fcnk\u00fc e\u015fkenar \u00fc\u00e7gen her taraf\u0131yla dengeli olup a\u00e7\u0131lar\u0131 ve kenarlar\u0131 birbirine e\u015fittir. Kabala\u2019ya g\u00f6re bir \u00f6n kabul olarak 360o<\/sup>\u00a0 varsayd\u0131\u011f\u0131m\u0131z daire \u00e7okgenlerin \u00e7o\u011falmas\u0131 oldu\u011fundan 360o<\/sup> de\u011fildir, ama z\u0131t y\u00f6nde i\u00e7 i\u00e7e ge\u00e7mi\u015f iki e\u015fkenar \u00fc\u00e7genden olu\u015fan Magen David\u2019in a\u00e7\u0131sal\u00a0 de\u011feri 360o<\/sup>\u2019dir.<\/span><\/p>\n

Kabala\u2019ya g\u00f6re 360o<\/sup> evrende var olan t\u00fcm varl\u0131\u011f\u0131 ku\u015fatan de\u011ferlerin toplam\u0131 veya Panteizm (Tanr\u0131 Her \u015fey\u2019dir \/ Her \u015fey Tanr\u0131\u2019d\u0131r) olarak yorumlanabilir.<\/span><\/p>\n

\u0130slam dininde Peygamber oldu\u011funa inan\u0131lan Davut\u2019a; Yahudilikte Kral David olarak inan\u0131l\u0131r. Bunun sebebi ise o d\u00f6nemde ba\u015fka bir nebinin olmas\u0131d\u0131r. Yahudilik Kral David\u2019i bir tak\u0131m ruhsal g\u00fc\u00e7leri olan, \u00e7e\u015fitli ilahi ilhamlar alan, ilahi sezgileri olan bir kral olarak g\u00f6r\u00fcr, hi\u00e7bir zaman Kral David\u2019i peygamber olarak g\u00f6rmez, ama yine de Tevrat\u2019\u0131n son b\u00f6l\u00fcm\u00fcndeki Mezmurlar (Zebur) Kral David\u2019in yazd\u0131\u011f\u0131 bir b\u00f6l\u00fcmd\u00fcr. Bir anlat\u0131ya g\u00f6re sava\u015f\u00e7\u0131 bir kral olan David\u2019in kulland\u0131\u011f\u0131 kalkan\u0131n alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z \u015feklinde oldu\u011fu; bir di\u011fer anlat\u0131ya g\u00f6re ise kalkan\u0131n yuvarlak oldu\u011fu ve bu kalkan\u0131n \u00fczerinde alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z motifinin i\u015flenmi\u015f oldu\u011fu kabul edilmektedir. Her iki anlat\u0131da bahsedilen alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z motifi bir mucizeyle olu\u015fmu\u015f veya Tanr\u0131 taraf\u0131ndan verilmi\u015f bir \u015fey olmay\u0131p insan yap\u0131s\u0131d\u0131r.<\/span><\/p>\n

David, t\u0131pk\u0131 bir kalkan\u0131n arkas\u0131na s\u0131\u011f\u0131n\u0131r gibi Tanr\u0131\u2019n\u0131n korumas\u0131na sa\u011f\u0131nd\u0131\u011f\u0131n\u0131 dualar\u0131nda, \u015fiir ve mezmurlar\u0131nda defalarca tekrarlanan temas\u0131 \u201cTanr\u0131 benim kalkan\u0131md\u0131r\u201d c\u00fcmlesi olmu\u015ftur.<\/span><\/p>\n

\u0130bran\u00eecede \u201cMagen\u201d s\u00f6zc\u00fc\u011f\u00fc savunma anlam\u0131ndaki \u201cLehagen \/ Hagana\u201d s\u00f6zc\u00fc\u011f\u00fcyle ayn\u0131 k\u00f6ke sahiptir ve savunucu \/ koruyucu anlam\u0131n\u0131 ta\u015f\u0131r. \u201cMagen\u201d, ayr\u0131ca koruyucu bir askeri donan\u0131m olan \u201cKalkan\u201d\u2019a\u00a0 verilen\u00a0 add\u0131r. Buna g\u00f6re Magen David; David\u2019in Kalkan\u0131 \/David\u2019in Korugan\u0131\u00a0 demektir.<\/span><\/p>\n

Bu konuda ara\u015ft\u0131rma yapanlar\u0131n yorumlar\u0131na g\u00f6re; bu motif, Yahudi kimli\u011fini kazanmas\u0131n\u0131 belki de \u015feklinin David ad\u0131n\u0131n \u0130bran\u00eece yaz\u0131l\u0131\u015f bi\u00e7imine benzemesine bor\u00e7ludur: David \u0130bran\u00eece\u2019de \u00fc\u00e7 harfle; \u201cDalet-Vav-Dalet\u201d harfleriyle yaz\u0131lmakta olup, erken d\u00f6nem \u0130bran\u00ee alfabesinde \u201cDalet\u201d harfi Yunan alfabesindeki ayn\u0131 sedan\u0131n harfi olan \u201cDelta\u201dya \u00e7ok benzeyen bir \u00fc\u00e7gen \u015feklinde, buna g\u00f6re de David ismi aralar\u0131nda dikey bir \u00e7izgi bulunan iki \u00fc\u00e7gen \u015feklinde yaz\u0131l\u0131rd\u0131. \u0130ki \u201cDalet\u201d\u2019in de\u011fi\u015fik bir bi\u00e7imde birle\u015ftirilmesinden meydana gelen alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z fig\u00fcr\u00fc, ayn\u0131 zamanda David ad\u0131n\u0131n yaz\u0131l\u0131m\u0131yd\u0131. Bu fig\u00fcr\u00fcn Kral David\u2019in monogram\u0131 oldu\u011fu \u015feklindeki iddialara, mant\u0131kl\u0131 varsay\u0131mlar g\u00f6z\u00fcyle bak\u0131lmaktad\u0131r.<\/span><\/p>\n

Museviler aras\u0131nda \u00e7ok yayg\u0131n olan bir inan\u0131\u015fa g\u00f6re alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z \u015feklindeki m\u00fch\u00fcr y\u00fcz\u00fc\u011f\u00fcn\u00fcn her bir k\u00f6\u015felerinde Musa, Ya\u2019kub \u0130shak ve \u0130brahim peygamberlerin ve Kral David\u2019in adlar\u0131 kaz\u0131l\u0131d\u0131r.<\/span><\/p>\n

Talmudik d\u00f6nemde bu fig\u00fcr daha anlam y\u00fckl\u00fc bir \u015fekilde \u00e7izilmi\u015ftir. Fig\u00fcr\u00fcn ortas\u0131na ve \u00fc\u00e7genlerin kesi\u015fme noktalar\u0131na \u0130bran\u00eece \u201cAGLA\u201d kelimesi yaz\u0131larak sembol\u00fcn anlam\u0131n\u0131n daha da artaca\u011f\u0131 d\u00fc\u015f\u00fcn\u00fclm\u00fc\u015ft\u00fcr. AGLA kelimesi Ateh= senden, Gibur = kuvvet, Leolam= ebediyen, Adonai=Ey Tanr\u0131 anlam\u0131na gelen kelimelerin ilk harflerinden meydana gelmektedir. Bu kelimeler ard arda s\u0131raland\u0131\u011f\u0131nda bir dua olu\u015fmaktad\u0131r. \u201cSonsuz Y\u00fcce Tanr\u0131m\u0131z; Huzurunda G\u00fc\u00e7l\u00fc Olal\u0131m\u201d demektir.<\/span><\/p>\n

Kabala\u2019ya g\u00f6re bir \u015feyin kendisi ile z\u0131dd\u0131 birbirlerinin kar\u015f\u0131t\u0131 olmay\u0131p bir b\u00fct\u00fcn\u00fc olu\u015ftururlar; buna g\u00f6re alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z z\u0131tl\u0131klar\u0131n dengesini ifade eder. Bu \u015fekil bir b\u00fct\u00fcn\u00fc olu\u015fturan eril ve di\u015fil prensipler veya bir b\u00fct\u00fcn\u00fc meydana getiren eril ve di\u015fil prensiplerin dengesidir.<\/span><\/p>\n

Alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z\u0131n \u201cDavid Y\u0131ld\u0131z\u0131\u201d olarak adland\u0131r\u0131ld\u0131\u011f\u0131 ilk yaz\u0131l\u0131 \u00f6rnek 13. y\u00fczy\u0131lda Kabalist Yosef Gikatilla\u2019n\u0131n eserlerinde g\u00f6r\u00fclmektedir.<\/span><\/p>\n

Orta\u00e7a\u011f\u2019da ve Orta\u00e7a\u011f sonras\u0131 d\u00f6nemlerde Yahudiler Magen David\u2019i yang\u0131ndan korunmak amac\u0131yla \u00f6zellikle de birahanelere asarak kullanm\u0131\u015ft\u0131rlar. \u00d6yle ki Magen David Almanya\u2019da birahanelerin sembol\u00fc haline gelmi\u015ftir. Alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z XIII. ve XVII. y\u00fczy\u0131llar aras\u0131nda \u201cDavud\u2019un Kalkan\u0131\u201d ve \u201cS\u00fcleyman\u2019\u0131n M\u00fchr\u00fc\u201d terimleri; aras\u0131nda ay\u0131r\u0131m yap\u0131lmaks\u0131z\u0131n kullan\u0131lm\u0131\u015ft\u0131r.<\/span><\/p>\n

Yahudi bas\u0131n tarihinin bilinen ilk \u0130bran\u00eece kitab\u0131 1512\u2019de Prag\u2019da bas\u0131lan \u201cSefer Tefirot\u201dtur. Bu kitab\u0131n kapa\u011f\u0131n\u0131 b\u00fcy\u00fck bir \u201cMagen David\u201d s\u00fcslenmektedir.<\/span><\/p>\n

\u201cMagen David\u2019e\u201d as\u0131l b\u00fcy\u00fck \u00f6l\u00e7\u00fcde \u00f6nem ve anlam Yahudi tasavvufu say\u0131lan Kabala d\u00fc\u015f\u00fcn\u00fcrleri taraf\u0131ndan kazand\u0131r\u0131lm\u0131\u015ft\u0131r. \u00c7a\u011fda\u015f ve \u00fcnl\u00fc Kabala uzman\u0131 Gershon Sholem \u201cMagen David\u2019in bir Yahudi fig\u00fcr\u00fc haline gelmesiyle ilgili evrimi \u015f\u00f6yle \u00f6zetlemektedir: Hristiyan d\u00fcnyas\u0131nca kabul edilen Ha\u00e7\u2019a kar\u015f\u0131l\u0131k Yahudilerin de \u00f6zg\u00fcn bir sembol benimsemeleri ihtiyac\u0131 do\u011fmu\u015ftu. Ha\u00e7\u2019\u0131n ifade etti\u011fi anlama sahip olmasa da, \u201cMagen David\u201d yayg\u0131nl\u0131kla tan\u0131n\u0131p sevilmi\u015f bir \u015fekildi ve Yahudi d\u00fcnyas\u0131na kendini kolayl\u0131kla kabul ettirmi\u015fti.\u201d<\/span><\/p>\n

Theodor Herzl\u2019in halefi ve yak\u0131n arkada\u015f\u0131 Dr. David Wolfson, ilk kez Yahudi Ulusu\u2019nu simgeleyecek bir bayrak \u015fekli \u00f6nermi\u015fti. 1933\u2019te Prag\u2019da onaylanan \u015fekliyle bu bayrak Tallit\u2019teki gibi beyaz zemin \u00fczerine iki paralel mavi \u00e7izgi <\/span>aras\u0131na ortalanm\u0131\u015f bir mavi \u201cMagen David\u201d idi. Bu \u015fekil, daha sonra, 1948\u2019de yeniden do\u011fan \u0130srail Devleti\u2019nin bayra\u011f\u0131 olacakt\u0131.<\/span><\/p>\n

G\u00fcn\u00fcm\u00fczde alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z, sadece \u0130srail Devleti\u2019nin bayra\u011f\u0131nda yer alan bir sembol olmakla kalmam\u0131\u015f, Ortodoks veya liberal olsun, \u0130srail\u2019de veya Diaspora\u2019da olsun, h\u00fcr d\u00fcnyada veya Yahudilerin az\u0131nl\u0131kta ya\u015fay\u0131p kimliklerini a\u00e7\u0131\u011fa \u00e7\u0131karmad\u0131klar\u0131 \u00fclkelerde olsun, Yahudi toplumlar\u0131n\u0131n sevgisiyle, sayg\u0131yla ve derin bir ba\u011fl\u0131l\u0131kla sahip \u00e7\u0131kt\u0131klar\u0131 bir sembol olmu\u015ftur.<\/span><\/a><\/p>\n

\u00a0Masonlukta Alt\u0131 K\u00f6\u015feli Y\u0131ld\u0131z<\/strong><\/span><\/p>\n

1614-1615 y\u0131llar\u0131nda \u00f6nce Almanya\u2019da g\u00f6r\u00fclen sonra Almanya\u2019n\u0131n kom\u015fular\u0131na da yay\u0131lan \u201cRose Croix\u201d, dini-felsefi gizli bir te\u015fkilatt\u0131r. \u00d6zellikle mistik simya ile me\u015fgul olmakla beraber; b\u00fcy\u00fcc\u00fcl\u00fckten al\u0131nm\u0131\u015f unsurlar\u0131 da benimsemi\u015flerdir. \u00dc\u00e7genlere ve alt\u0131 k\u00f6\u015feli y\u0131ld\u0131za gizli anlamlar vermi\u015fler, bu konuda simya ve astroloji ile birtak\u0131m paralellikler kurmu\u015flard\u0131r. Daha sonraki y\u0131llarda kurulu\u015fun bir\u00e7ok sembol\u00fc ve uygulamas\u0131 ile birlikte, M\u00fchr-i S\u00fcleyman sembol\u00fc de Spek\u00fclatif Masonlu\u011fa ge\u00e7mi\u015ftir. \u00d6yle ki XIX. y\u00fczy\u0131lda bu te\u015fkilat\u0131n ismi Masonlukta bir derece anlam\u0131nda kullan\u0131lmaya ba\u015flanm\u0131\u015ft\u0131r.<\/span><\/p>\n

Masonluk te\u015fkilat\u0131 i\u00e7inde alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z M\u00fchr-i S\u00fcleyman olarak tan\u0131mlanmaktad\u0131r. M\u00fchr-i S\u00fcleyman\u2019da tepesi yukar\u0131ya bakan \u00fc\u00e7gen insan\u0131, tepesi a\u015fa\u011f\u0131ya bakan \u00fc\u00e7gen Allah\u2019\u0131 temsil eder. \u0130\u00e7 i\u00e7e kucakla\u015fm\u0131\u015f iki \u00fc\u00e7gen, Masonlu\u011fun dayand\u0131\u011f\u0131 biri Allah, di\u011feri \u0130nsan olan iki \u00f6\u011fenin birli\u011fini; yani Tevhid\u2019i ve Vahdet\u2019i simgeler. \u00c7\u00fcnk\u00fc, Allah ve \u0130nsan tektir. Her insan\u0131n \u00f6z\u00fc Allah\u2019t\u0131r. Bu sembol, insan\u0131n biri madde di\u011feri mana veya biri beden di\u011feri ruh veya biri z\u00e2hir di\u011feri b\u00e2t\u0131n olan iki unsurunun birli\u011fini g\u00f6sterir. Dualiteye g\u00f6re; pozitif ve negatif \u00f6\u011felerin sentezinden n\u00f6tr do\u011far. Bu nedenle, Allah\u2019\u0131n ve insan\u0131n kucakla\u015farak birbirinin i\u00e7inde erimesi \u201cTeklik\u201d\u00a0 yani\u00a0 \u201cAhad\u201d\u2019d\u0131r.\u00a0 \u0130ki\u00a0 \u00dc\u00e7gen\u2019in\u00a0 i\u00e7\u00a0 i\u00e7e\u00a0 kucakla\u015fmas\u0131,\u00a0 yani\u00a0\u00a0 M\u00fchr\u00fc S\u00fcleyman\u2019\u0131n nihai sembolizmas\u0131 \u201cAhadiyyet\u201d s\u0131rr\u0131d\u0131r; sembol\u00fcn ortas\u0131 Makam-\u0131 Mahmud\u2019tur. Royal Arch baz\u0131nda M\u00fchr-i S\u00fcleyman\u2019\u0131n alt\u0131 k\u00f6\u015fesi \u201c\u00dc\u00e7 B\u00fcy\u00fck Nur\u2019u ve \u00dc\u00e7 K\u00fc\u00e7\u00fck\u00a0 Nur\u2019u veya \u0131\u015f\u0131\u011f\u0131 temsil eder.<\/span><\/p>\n

Hristiyanl\u0131kta Alt\u0131 K\u00f6\u015feli Y\u0131ld\u0131z<\/strong><\/span><\/p>\n

Hristiyan sanat\u0131nda alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z motifi \u00f6zellikle mimar\u00ee eserlerde bezeme \u00f6\u011fesi olarak kullan\u0131lm\u0131\u015ft\u0131r. Hristiyan d\u00fcnyas\u0131n\u0131n \u201cS\u00fcleyman\u2019\u0131n M\u00fchr\u00fc\u201d teriminden alg\u0131lad\u0131\u011f\u0131 be\u015f k\u00f6\u015feli y\u0131ld\u0131zd\u0131r. \u0130slam d\u00fcnyas\u0131nca alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z olarak bilinen bu y\u0131ld\u0131z Bat\u0131l\u0131 kaynaklarda \u201cMagen David\u201d olarak isimlendirilmektedir.<\/span><\/p>\n

Bir\u00e7ok Bizans kilisesindeki oyma ve fresklerde, ah\u015fap kabartmalarda ve m\u00fch\u00fcrlerde bu y\u0131ld\u0131za s\u0131kl\u0131kla rastlan\u0131r.<\/span> I. y\u00fczy\u0131l Bizans muskalar\u0131nda alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z\u0131n ad\u0131 olarak \u201cM\u00fchr-\u00fc S\u00fcleyman\u201d deyimi kullan\u0131lm\u0131\u015ft\u0131r. Bu muska t\u0131ls\u0131m\u0131 \u00f6zellikle y\u00fcz\u00fcklerde \u00e7ok sevilen ve tercih edilen bir t\u0131ls\u0131m i\u015fareti olmu\u015ftur.<\/span><\/p>\n

Orta \u00c7a\u011f’dan kalma baz\u0131 katedrallerde ve kiliselerde, Burgos, Valencia ve Lerida \u015fatolar\u0131n\u0131n giri\u015flerinde alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z \u00f6rneklerine rastlanabilir. Kiliselerde kullan\u0131lan nesneler \u00fczerinde de alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z \u00f6rnekleri g\u00f6r\u00fclebilir. Buna \u00f6rnek olarak 1266 dolaylar\u0131nda yap\u0131lan Anagni Katedrali\u2019nin vaaz k\u00fcrs\u00fcs\u00fcndeki motifi verebiliriz.<\/span><\/p>\n

Almanya\u2019da geli\u015fen Gotik mimarisi, cepheleri ve alt\u0131 dilimli g\u00fcl\u00e7e s\u00fcslemeleri ile alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z gelene\u011fine ba\u011flan\u0131r. Ortaya konan bu mimar\u00ee s\u00fcsleme \u201cTanr\u0131\u2019n\u0131n D\u00fcnya\u2019y\u0131 m\u00fckemmel bir eser olarak alt\u0131 g\u00fcnde yaratt\u0131\u011f\u0131n\u0131\u201d ifade eder. Bunlara en g\u00fczel \u00f6rnekler Paris Saint Chapelle, Roven Katedrali, Calende Kap\u0131s\u0131, Lyon Saint Jean Katedrali\u2019dir. <\/span>Ancak zaman i\u00e7inde Hristiyanlar alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z\u0131 bir Yahudi sembol\u00fc olarak tan\u0131mlayarak bu \u015feklin kullan\u0131m\u0131n\u0131 terk etmi\u015f, bunun yerine s\u00fcsleme sanatlar\u0131nda be\u015f k\u00f6\u015feli y\u0131ld\u0131za yer vermeye\u00a0 ba\u015flam\u0131\u015flard\u0131r.<\/span><\/p>\n

\u00a0 \u00a0\u0130slamiyet\u2019te Alt\u0131 K\u00f6\u015feli Y\u0131ld\u0131z<\/span><\/strong><\/span><\/p>\n

\u0130slam d\u00fcnyas\u0131nda Hz. S\u00fcleyman\u2019\u0131n m\u00fch\u00fcr y\u00fcz\u00fc\u011f\u00fcne M\u00fchr-\u00fc veya M\u00fchr-i S\u00fcleyman ad\u0131 verilmektedir. \u0130slam inan\u0131\u015f\u0131na g\u00f6re, y\u00fcz\u00fc\u011f\u00fcn ortaya \u00e7\u0131k\u0131\u015f hik\u00e2yesi ise \u015f\u00f6yledir: S\u00fcleyman tahta \u00e7\u0131kmas\u0131ndan sonra, Hebron ile Kud\u00fcs aras\u0131nda bir vadide bulunurken, r\u00fczg\u00e2ra, suya, cinlere ve hayvanlara\u00a0 hakim\u00a0 olma\u00a0 g\u00fcc\u00fcn\u00fc, bu d\u00f6rt aleme ait d\u00f6rt koruyucu melekten alm\u0131\u015ft\u0131. Her biri ona k\u0131ymetli bir ta\u015f verdi. O bu ta\u015flar\u0131 tun\u00e7tan ve demirden yap\u0131lm\u0131\u015f bir y\u00fcz\u00fc\u011fe ge\u00e7irdi. \u0130yi cinlere verdi\u011fi emirlerini tun\u00e7 ile k\u00f6t\u00fc cinlere verdiklerini ise demir ile m\u00fch\u00fcrl\u00fcyordu. Bu y\u00fcz\u00fck onun parma\u011f\u0131nda oldu\u011fu s\u00fcrece cinler, herhangi bir zarar verme kabiliyetini\u00a0 kaybettikleri gibi ayr\u0131ca onun emrinde her i\u015fi yapmak zorunda kal\u0131rlard\u0131. Efsaneye g\u00f6re; S\u00fcleyman, y\u0131kanaca\u011f\u0131 ya da ayak yoluna gidece\u011fi zamanlar, h\u00fck\u00fcmdarl\u0131k m\u00fchr\u00fcn\u00fc cariyelerinden AM\u0130NA ad\u0131nda birine b\u0131rakmay\u0131 gelenek edinmi\u015fti. \u0130\u015fini bitirdikten sonra m\u00fchr\u00fcn\u00fc geri al\u0131rd\u0131; ayr\u0131ca yard\u0131mc\u0131s\u0131 A\u015faf b. Barahya da bu y\u00fcz\u00fc\u011f\u00fc kullanma iznine sahipti. Hz. S\u00fcleyman\u2019\u0131n m\u00fchr\u00fc Amina\u2019ya verdi\u011fi g\u00fcnlerden birinde \u015feytani cinlerden biri olan \u015eahr, gelip Amina\u2019ya oyun oynamak ister ve ona S\u00fcleyman k\u0131l\u0131\u011f\u0131nda g\u00f6r\u00fcn\u00fcr. Amina\u2019dan m\u00fchr\u00fc al\u0131r almaz ayn\u0131 k\u0131l\u0131kta tahta oturur ve \u00fclkeyi y\u00f6netmeye, diledi\u011fi gibi kanunlarda de\u011fi\u015fiklik yapmaya ba\u015flar. Bu arada S\u00fcleyman, m\u00fchr\u00fcnden yoksun kal\u0131p dilenci durumuna d\u00fc\u015fer. Aradan k\u0131rk g\u00fcn ge\u00e7ince \u015feytan m\u00fchr\u00fc denize atarak ka\u00e7ar. M\u00fchr\u00fc denizde bir bal\u0131k yutar. Bal\u0131k\u00e7\u0131lar bal\u0131\u011f\u0131 tutup S\u00fcleyman\u2019a getirirler; O da bal\u0131\u011f\u0131n karn\u0131ndan m\u00fchr\u00fc \u00e7\u0131kar\u0131p h\u00fck\u00fcmdarl\u0131\u011f\u0131na yeniden kavu\u015fmu\u015f olur. Sonra da kendisine bu oyunu oynayan \u015feytan\u0131 buldurur ve boynuna b\u00fcy\u00fck bir ta\u015f ba\u011flay\u0131p onu g\u00f6le att\u0131r\u0131r. Hz. S\u00fcleyman \u00f6ld\u00fc\u011f\u00fc zaman bu h\u00fck\u00fcmdarl\u0131k y\u00fcz\u00fc\u011f\u00fc hala parma\u011f\u0131ndad\u0131r.\"\"<\/span><\/p>\n

Kur\u2019an-\u0131 Kerim\u2019de zikredildi\u011fine g\u00f6re Hz. S\u00fcleyman; ku\u015flara, hayvanlara, insanlara ve cin taifesine h\u00fckmeder, onlar\u0131 \u00e7al\u0131\u015ft\u0131r\u0131rm\u0131\u015f. Hz. S\u00fcleyman Allah\u2019\u0131n verdi\u011fi insan\u00fcst\u00fc metafizik bir kuvvete ve derin bir ilme sahipmi\u015f. Baz\u0131 m\u00fcfessirlere g\u00f6re de; bu g\u00fc\u00e7-kuvvet, ona i\u00e7 i\u00e7e ters olarak girmi\u015f iki \u00fc\u00e7gen \u015feklinde olan ve Hz. S\u00fcleyman\u2019\u0131 temsil eden M\u00fchr-i S\u00fcleyman\u2019dan gelir. Bu sembol Tanr\u0131\u2019y\u0131 temsil eden bir \u00e7e\u015fit t\u0131ls\u0131md\u0131r.<\/span><\/p>\n

\u0130slam yazarlar\u0131 Hz. S\u00fcleyman\u2019\u0131n m\u00fchr\u00fcn\u00fc eserlerinde s\u00fcrekli olarak anlatm\u0131\u015flard\u0131r. Taber\u00ee (M.S 838-923). Hz. S\u00fcleyman\u2019\u0131n Cennet\u2019ten getirilmi\u015f olan y\u00fcz\u00fc\u011f\u00fcn\u00fcn Onun m\u00fchr\u00fc oldu\u011funu bildirmi\u015f, d\u00f6rt y\u00fczl\u00fc y\u00fcz\u00fckte \u201cG\u00fc\u00e7 Allah\u2019\u0131nd\u0131r\u201d, \u201c\u00dcst\u00fcn olan Allah\u2019t\u0131r\u201d, \u201cEn y\u00fcce yetki Allah\u2019\u0131nd\u0131r\u201d, \u201cB\u00fct\u00fcne hakim olan Allah\u2019t\u0131r\u201d yaz\u0131lar\u0131n\u0131n yer ald\u0131\u011f\u0131n\u0131 belirtmi\u015ftir. Bundan ba\u015fka m\u00fchr\u00fcn \u00fczerinde bir \u00e2dem otunun bulundu\u011fu rivayet olunur. Ayr\u0131ca \u0130slam edebiyat\u0131nda \u00f6nemli bir yere sahip olan 1001 gece masallar\u0131nda da bu y\u00fcz\u00fc\u011fe at\u0131flar yap\u0131lmaktad\u0131r.<\/span><\/p>\n

G\u00fc\u00e7, iktidar ve saltanat simgesi olarak M\u00fchr-i S\u00fcleyman, gizli g\u00fc\u00e7ler d\u00fc\u015f\u00fcn\u00fclerek resmedildi\u011fi gibi, kimi yerlerde de manevi g\u00fc\u00e7, devaml\u0131l\u0131k ve iktidar dile\u011fiyle kullan\u0131lm\u0131\u015ft\u0131r. T\u00fcrk\u00e7edeki \u201cM\u00fch\u00fcr kimde ise Sultan odur\u201d deyimi buradan gelir. <\/span><\/a><\/p>\n

Anadolu \u015eel\u00e7uklu ve Osmanl\u0131 Devleti mimari ve sanatsal eserleri incelendi\u011fi zaman alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z sembol\u00fc M\u00fchr\u00fc S\u00fcleyman olarak 17. \u2013 18. y\u00fczy\u0131la kadar i\u00e7 ve d\u0131\u015f mekan\u00a0 s\u00fcslemelerinde yayg\u0131n bir geometrik motif olarak kullan\u0131ld\u0131\u011f\u0131 g\u00f6r\u00fcl\u00fcr.<\/span><\/p>\n

Siirt Ulu Camii’nin minberinde (1191), Mardin Hatuniye (Sitti Radviyye) Medresesi’nin eyvan\u0131n\u0131n mihrab\u0131nda (1176), Konya Al\u00e2eddin Camii\u2019nin Kubbeye Ge\u00e7i\u015fi Sa\u011flayan T\u00fcrk \u00dc\u00e7genlerinde,\u00a0 A\u011fz\u0131kara\u00a0 Han\u2019\u0131n\u00a0\u00a0 d\u0131\u015f ta\u00e7 kap\u0131s\u0131nda 1237, E\u011fridir Han’\u0131n yan ta\u00e7 kap\u0131s\u0131nda1237, Malatya Ulu Camii\u2019nin kubbe g\u00f6be\u011finde, (\u015fekil 35) Avanos Sar\u0131 Han\u2019\u0131n ta\u00e7 kap\u0131s\u0131nda, Antalya\u00a0 Karatay\u00a0 Medresesi’nin mihrab\u0131nda, Konya Karatay Medresesi\u2019nin duvar\u0131nda, Konya Sahip Ata Camii’nin mihrab\u0131n\u0131n ni\u015finde, Mardin Marufiye Medresesi\u2019nin selsebilinde, Ni\u011fde Sungur A\u011fa Camii\u2019nin kuzey kap\u0131s\u0131n\u0131n \u00fczerinde bulunan g\u00fclpencerede, Milas Firuz Bey\u00a0 Camii’nin pencere al\u0131nl\u0131\u011f\u0131nda, Ankara Ahi Evran Camii\u2019nin mihrab\u0131n\u0131n k\u00f6\u015feli\u011finde, Edirne Muradiye Camii\u2019nin duvarlar\u0131n\u0131n alt b\u00f6l\u00fcmlerinde, (\u015fekil 36) Gebze \u00c7oban Mustafa Pa\u00e7a K\u00fclliyesi\u2019nin \u015fifahanesinin pencere al\u0131nl\u0131\u011f\u0131nda, \u0130stanbul \u015eehzade Camii\u2019nin pencere kapa\u011f\u0131nda, Barbaros Hayrettin Pa\u015fa\u2019n\u0131n Sanca\u011f\u0131nda, (\u015fekil 37) \u0130stanbul Had\u0131m \u0130brahim Pa\u015fa Camii\u2019nin kap\u0131s\u0131n\u0131n alt panosunda, \u0130stanbul Kad\u0131rga Sokullu Camii\u2019nin pencere kapa\u011f\u0131nda, \u0130stanbul Azapkap\u0131 Sokullu Camii\u2019nin pencere kapa\u011f\u0131nda, \u0130stanbul Y\u0131ld\u0131z Saray\u0131 \u00c7it Kasr\u0131\u2019n\u0131n tavan\u0131n her bir k\u00f6\u015fesinde yer almaktad\u0131r.<\/span><\/p>\n

\"\"
\u015eekil\u00a0 35: Malatya Ulu Camii\u2019nin kubbe g\u00f6be\u011finde yer alan M\u00fchr\u00fc S\u00fcleyman sembol\u00fc \u015eekil 36: Edirne Muradiye Camii\u2019nin duvarlar\u0131n\u0131n alt b\u00f6l\u00fcm\u00fcnde yer alan \u00e7iniler<\/figcaption><\/figure>\n

MISIR\u2019DA ALTI K\u00d6\u015eELI YILDIZ<\/strong><\/span><\/p>\n

Bu b\u00f6l\u00fcmde g\u00fcn\u00fcm\u00fczde daha \u00e7ok Yahudilikle ba\u011flant\u0131l\u0131 olarak g\u00f6r\u00fclen M\u00fchr\u00fc S\u00fcleyman y\u0131ld\u0131z\u0131n\u0131n Eski M\u0131s\u0131r\u2019la ba\u011f\u0131n\u0131 kurmaya \u00e7al\u0131\u015faca\u011f\u0131z. Bunun i\u00e7in ilk olarak \u0130srailo\u011fullar\u0131\u2019n\u0131n M\u0131s\u0131r k\u00f6kenli bir toplum oldu\u011funu hat\u0131rlamak gerekir. \u0130srailo\u011fullar\u0131\u2019n\u0131n Hazreti Musa ile birlikte M\u0131s\u0131r\u2019dan \u00e7\u0131karken kalplerinde ve kafalar\u0131nda Eski M\u0131s\u0131r\u2019a ait pek \u00e7ok \u015feyi ta\u015f\u0131d\u0131klar\u0131 gibi bu simgeyi de biliyor olmalar\u0131 \u00e7ok m\u00fcmk\u00fcnd\u00fcr.<\/span><\/p>\n

Asl\u0131nda binlerce y\u0131ll\u0131k k\u00f6kl\u00fc bir ge\u00e7mi\u015fe sahip M\u0131s\u0131r medeniyetinin pek \u00e7ok unsuru, g\u00fcn\u00fcm\u00fczde bile hala etkisini sezdirmektedir. Mesela Antik Yunan k\u00fclt\u00fcr\u00fcn\u00fcn ve Tanr\u0131lar inanc\u0131n\u0131n temelinde M\u0131s\u0131r vard\u0131r. Yine Tek Tanr\u0131 inanc\u0131na sahip ilahi dinlerin inan\u00e7 atmosferinde M\u0131s\u0131r\u2019dan esintiler vard\u0131r.<\/span><\/p>\n

T\u00fcm bunlar\u0131 ve M\u00fchr\u00fc S\u00fcleyman\u2019\u0131n Eski M\u0131s\u0131r\u2019daki \u00f6nemini anlamak i\u00e7in M\u0131s\u0131rl\u0131lar\u0131n inan\u00e7 d\u00fcnyas\u0131n\u0131 incelemek ve biraz bilgi sahibi olmak gerekiyor.<\/span><\/p>\n

[1]<\/a> Walter Machate, \u201cAlt\u0131 K\u00f6\u015feli Y\u0131ld\u0131z\u201d, Mimar Sinan Dergisi, S.120, 2001. s.63.<\/span><\/p>\n

[2]<\/a> Tahir T\u00fcrkkan, \u201cU\u00e7u-eki veya M\u00fchr\u00fc S\u00fcleyman\u201d (\u00e7evrimi\u00e7i)<\/span><\/p>\n

\u00a0\u00a0\u00a0\u00a0 http:\/\/www.angelfire.com\/tn3\/tahir\/trk92k.html<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0Tarihte alt\u0131 k\u00f6\u015feli y\u0131ld\u0131z fig\u00fcr\u00fcn\u00fcn ilk olarak kimler taraf\u0131ndan kullan\u0131ld\u0131\u011f\u0131 bilinmemekteyse de bu fig\u00fcr\u00fcn Bronz \u00c7a\u011f\u0131’na dayanan bir ge\u00e7mi\u015fi oldu\u011funa ili\u015fkin g\u00f6r\u00fc\u015fler vard\u0131r. O d\u00f6nemde bu \u015feklin \u00f6rneklerine M\u0131s\u0131r’da, Kuzey Amerika\u2019da ve Hindistan’da rastlan\u0131lm\u0131\u015ft\u0131r. Ayr\u0131ca baz\u0131 ara\u015ft\u0131rmac\u0131lar bu sembol\u00fcn ilk \u00f6rneklerini Ta\u015f Devri’ne dek uzat\u0131p, \u0130skandinavya’da da kullan\u0131ld\u0131\u011f\u0131n\u0131 s\u00f6ylemektedirler.[1] \u0130slamiyet \u00f6ncesinde T\u00fcrklerin olu\u015fturdu\u011fu Oniki Hayvanl\u0131 […]<\/p>\n","protected":false},"author":1,"featured_media":423,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[49,12,98,100,99,96,97,101,50,94,13,95],"class_list":["post-250","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ley-hatlarinin-geometrisi","tag-davut-yildizi","tag-hermes","tag-hristiyanlikta-alti-koseli-yildiz","tag-hz-suleyman","tag-islamiyette-alti-koseli-yildiz","tag-magen-david","tag-masonlukta-alti-koseli-yildiz","tag-muhr-i-suleyman-yuzugu","tag-muhru-suleyman-yildizi","tag-tarihte-alti-koseli-yildiz-figuru","tag-thot","tag-yahudilikte-alti-koseli-yildiz"],"jetpack_featured_media_url":"https:\/\/leyhatlari.com\/wp-content\/uploads\/2020\/04\/hz-suleyman-muhru-925-ayar-gumus-yuzuk.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/leyhatlari.com\/index.php\/wp-json\/wp\/v2\/posts\/250","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/leyhatlari.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/leyhatlari.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/leyhatlari.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/leyhatlari.com\/index.php\/wp-json\/wp\/v2\/comments?post=250"}],"version-history":[{"count":0,"href":"https:\/\/leyhatlari.com\/index.php\/wp-json\/wp\/v2\/posts\/250\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/leyhatlari.com\/index.php\/wp-json\/wp\/v2\/media\/423"}],"wp:attachment":[{"href":"https:\/\/leyhatlari.com\/index.php\/wp-json\/wp\/v2\/media?parent=250"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/leyhatlari.com\/index.php\/wp-json\/wp\/v2\/categories?post=250"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/leyhatlari.com\/index.php\/wp-json\/wp\/v2\/tags?post=250"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}